PDF Ebook Basic Mixers
Néanmoins, rien est difficile dans cette vie. Vous pouvez obtenir ce que vous pensez réellement voulez faire et obtenir quelque chose de nouveau. Néanmoins, l'hypothèse d'avoir une bonne habitude aura certainement beaucoup de difficultés. Mais, à la conquête de la question, nous vous proposons une recommandation pour commencer la lecture attentionnée.
Basic Mixers
PDF Ebook Basic Mixers
Ca y est, un livre d'attendre ce mois-ci. Aussi, vous avez réellement désiré depuis longtemps pour la publication de ce livre intitulé Basic Mixers; vous ne pourriez pas avoir la possibilité d'entrer dans un certain stress. Si vous promener ainsi que cherchent à guider vient jusqu'à vous vraiment obtenir ce? Êtes-vous sûr? Êtes-vous que totalement gratuit? Ce problème va vous forcer à vent constamment pour obtenir une publication. Maintenant, nous qui vous concernent donner l'option exceptionnelle.
Si vous avez réellement découvert sur ce site, il sera certainement beaucoup mieux et que vous avez fait savoir que les guides sont souvent dans les types de données souples. Et actuellement, nous allons certainement vous accueillir avec notre collection flambant neuf, Basic Mixers Ceci est notre publication mis à jour pour fournir la liste de ce livre d'un site Web. Vous pouvez le prendre comme référence pour votre travail et aussi votre tâche au jour le jour. Il n'y a pas de concept à venir se joindre à nous pour trouver la publication difficile. Mais ici, vous pouvez le trouver si simple que cela pourrait vous faire sentir vraiment complètement satisfait.
Obtenir le contenu web rempli du livre même dans les données douces est vraiment remarquable. Vous pouvez voir à quel point le Basic Mixers existe. Avant de vous procurer le livre, vous ne pouviez pas savoir exactement ce que le livre est. Mais, pour le point encore plus sensible, nous ne manquerons pas de partager vous peu au sujet de cette publication. Ceci est un guide pour recommander que vous fournit un avantage à faire. Il est également présenté en référence très excitant, par exemple, et aussi la description.
Ainsi, toutes les personnes qui vérifient sur Basic Mixers se sentiront comme faire les choses par eux-mêmes. Elle repose sur la façon dont les téléspectateurs seulement regardent et pensent aussi au sujet de cette publication. Mais, en général, il dispose vraiment des pensées remarquables de l'analyse du livre. Il vous fournira en outre les systèmes en circulation de la pensée créatrice. Bien entendu, il vous offrira bien meilleure de excellences. Il est la raison pour laquelle nous vous fournissons en permanence la publication la plus efficace qui peut rendre votre vie meilleure. Maintenant, sentir la vie pour obtenir les moyens incroyables d'accomplissement du livre.
Unusual book
This little hand-sized booklet is OK, and a good value for $7, but there is a much better option. My perspective is someone who bought a large mixer and needed to learn more about how to use it. I read through this book pretty quickly and it was somewhat helpful but I was still pretty lost and wasn't able to make any decisions. However, then I read Mixing Audio, Second Edition: Concepts, Practices and Tools by Roey Izhaki, specifically the chapter on "Mixing Consoles". At the end of the chapter, I understood far more than I had from "Basic Mixers" and pretty comprehensively knew how to setup my mixer (and that was one chapter!). So although this is a credible little book, I would only buy it if you were dirt broke and wanted to be informed, but not necessarily educated about mixing. Otherwise, I can't say enough good things about the Izhaki book and you should turn there instead.
Save your money and just get Paul White's 'Creative Recording 1 & 2' books.Unfortunately I found out (too late) that these 'Basic' series are a direct (and sometimes even a condensed) extract from the 'Creative Reading 1 & 2' books, which I already owned.Therefore the 'Basic' series is a VERY expensive way to get access to all of Paul White's great information found in 'Creative Reading 1 & 2' books.
I have been doing live sound for over 6 years and when i was asked to do a training session i bought this book to aid me in teaching others. It helped a lot it provided clear and concise answers and how to's. I wish i had this book back when i was starting out it would have saved me a lot of time and headache's. Now i recommend this book to any who wishes to work in both recording and live music productions.
This book seems to have some decent mixer information. I wish I could give the book a better rating, and the author seems to be making a genuine effort to pass along good information. Unfortunately there are errors and omissions which make it critically confusing for the reader. The author uses terms such as "punch-in" and "punch-out" without bothering to explain what they mean. I am a complete novice regarding mixers, so if you already know something about mixers and the recording process, you may be able to get past these errors. But if that's the case, you probably wouldn't be reading a book with the title "Basic Mixers".Chapter 1 has some solid foundational mixer information, but right off at the first figure, 1.1, it states that it shows a schematic of a mixer with separate mic and line gain controls, and separate sockets. This is wrong. The reader is left staring at the page wondering what is wrong with his eyes that he cannot see what he is being told is there. It is befuddling and it stops you in your tracks. Since you're a beginner reading this, you don't know it's wrong, and you wind up wasting time trying to fathom what cannot be fathomed. It's not a good start to have the reader told something IS, when it definitely is NOT. This is not a critical problem, but it is an annoying one.Unfortunately at Chapter 2 things get more problematic where the author addresses multi track recording and tape monitoring. The author mentions these are two of the more difficult topics to address, unfortunately he doesn't remedy the problem. In the third paragraph the author states:"When the recording is complete and you're mixing your recorded tracks, the input channels are free from the output from the multi track recorder."First, the author has not explained the difference between recording tracks initially and mixing them later.Secondly, suddenly he's made a jump whereby he's now talking about having outputs from a multi track recorder plugged into channels in the mixer - something he has not previously discussed. This is a procedural pedagogical error. The author has suddenly jumped ahead in the subject area leaving the reader scratching his head wondering "Wha-Huh? Tape machine plugged into mixer channels? When did this happen??"In this same chapter the author discusses setting up a "monitor mix" using the "monitor section" of a mixer. A monitor mix is used to play back tracks that you previously recorded so that you can play along to as you record additional tracks. For instance you may record yourself playing a guitar track, then subsequently record a vocal track to accompany it. You'll need the monitor mix in order to hear the previously recorded guitar track so that you can record the vocals in sync with the guitar.I surmise that most people buying this book are home recordists using basic units. Mine is a Beringer 12 channel unit, which seems pretty advanced for someone at such a basic level as I, as the most basic units start out with only 6 or so channels. It doesn't have a monitor section. Basic units don't have monitor sections. I've gathered from other sources that there is a way to set up a monitor mix using my mixer without a monitor section, but the author does not describe how to do this. So, even though this book is titled "Basic Mixers", it doesn't describe how to accomplish this essential task with a *basic mixer*!To summarize, if you're trying to get a first start with a basic Beringer or Mackie mixer with 16 or fewer channels, this book will describe recording in a way that doesn't apply to your situation at all - recording with a monitor section - because your mixer will simply not have a monitor section. This will leave you frustrated because you won't be able to set up a monitor mix in the way the author describes, and he doesn't describe how to do so on a basic mixer without a monitor section. The book is geared towards those with access to more high end professional equipment with features not found on basic units. It should have been titled "Professional Mixer Basics", not "Basic Mixers".For what it's worth, I'll add as a footnote that I tried to contact the publisher about these problems and found that the web site listed in the book, Sanctuary Publishing dot Com, was inoperable.
It has some interesting ideas I've put into practice and have shared with others. I enjoy the content in this book. There are interesting concepts I have not considered.
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